
Amanda Mair "Sense" from Labrador Records on Vimeo.
The end result isn’t really the Swedish version of Dusty in Memphis (Amanda in Stockholm, anyone?) and it’d be silly to compare Amanda Mair to that legend at this stage in her career; in any case her vocals bear more comparison to Kate Bush, an artist Mair admitted she hadn’t heard of (more of which later) when recording debut album Amanda Mair. It’s a pure pop record, bearing all the hallmarks of a Labrador release: pristine production, big hooks, melodies galore and above all, plenty of quality.‘Said and Done’ opens proceedings with some Eastern strings and develops into a mid-tempo song about having no regrets, with Mair backed by clever percussion and stabs of piano. ‘Doubt’ begins with Spectoresque drums and bright keys, and Mair singing: “I run from the people I love, I will always stay true to my heart”. The track develops into a fizzing ’80s pop song, and a chorus filled with, ahem, doubt: (...)This is the sound of a song written by someone with experience, sung by someone who’s yet to go through all the ups and downs of love but who can translate the song and relate it to her own nascent experiences. To do that takes a talent, and Mair has it: she’s got intuition to go with her great voice. ‘House’ is a moving song about an apartment shared with a former lover that no longer holds its appeal, and it’s here we can hear that Kate Bush voice in all its glory. The backing track is suitably epic and defined, but doesn’t overpower Mair’s voice by layering on the paino-and-strings motif too thickly.The click and swing of ‘Sense’ is probably the highlight of the album, its ’60s girl group vibe a real delight, the lyrics telling a story of Mair trying to forget a lover, but seeing his picture wherever she goes. (...)A quieter, more tender moment appears in the ballad ‘Skinnarviksberget’ (a hill above Stockholm, and a fine place to hang out in the summer months), the song showing off Mair’s voice and piano playing. It’s also something she can directly relate to, being a track about the innocence of youth.The second half of the record is something of a minor disappointment in that it doesn’t continue the strong start, (...)



8 Kommentare:
Im Vergleich zum neuen Madonna-Album eine Wohltat. 5,5 Punkte
Du hast halt Pop nicht verstanden.
Bestes Album des laufenden Jahres in dieser Kategorie, und vielleicht sogar mein Lieblingsalbum insgesamt fürs erste Quartal.
Zuckrick, ear-catching, gefühlvoll, Pelle Carlberg, was will man mehr. Die A-Seite ist sicher, auf Grund der Singles schneller im Ohr, aber auch der Rest weiß mich zu überzeugen. Und mit "Leaving Early" endet das Album ganz ganz groß.
9 Punkte
Zuckrig natürlich
(frei nach "alles ist so süß und zuckrig, klebrig vermutlich")
Ich fand die Debütplatte von Amy McDonald besser. Ok, kann man nicht vergleichen. Trotzdem. 6,5 Punkte
Leider ist das Album miserabel. Pubertäre Texte (kein Wunder!), banale Arrangements, flache, gekünstelte Produktion, Zuckerguß bis zum Erbrechen. Schade. Habe sie heute und gestern live nur am Piano gesehen und an dieser abgespeckten Variante deutlich mehr Freude gehabt.
3 Punkte
Ich fühl mich hier mal wieder soooo zu Hause.
Aber vielleicht reichen 8,5 Punkte auch? Ach nee, bleibe bei 9
Netter Pop eines Teenies.
5,5 Punkte
6,5 Punkte
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